Dudes and preludes.

Now, Russell Street on a Friday night is usually a place to avoid. But tonight I'm going to make an exception:

The venue's own website has kindly provided copy for this:
AARGHT! records and Radical Awesome tours present the show of the year at Billboard ''The Venue'' on the 18th of December. Australian Music Prize slayers and Frankston's biggest export Eddy Current Suppression Ring will go head to head with San Francisco's Pitchfork endorsed Thee Oh Sees for a night of silly season spastacularity.
Melbourne shit-heads the Witch Hats will provide support along with local breeze pop favourites The Twerps.
On Saturday, Deaf Wish launch their excellent new album "Reality & Visions"at the Tote.

I have a copy of this, and it is a fucked-up masterpiece of noise and awesome. Supports will be courtesy of The School of Radiant Living and ’90s stalwarts/supergroup Breaking the Law. $12.00
There is all sorts of stuff happening on Sunday too, including a Kelley Stoltz show at the Workers Club, but it may be too much.

Flip Out returns, and expands.

It was one of the live highlights of last year. Now the Flip Out Festival returns, and is also extending slimy tentacles north to Sydney.
It's on at something called the Manning Bar on Saturday, August 29. Line up:
Eddy Current Suppression Ring
Pink Reason (USA)
Goodnight Loving (USA)
James Arthur's Manhunt (USA)
Ooga Boogas
Naked On The Vague
The UV Race
The Stabs
Super Wild Horses
Slug Guts
Deaf Wish
Royal Headache
Zond


There's a fairly hefty Melbourne contingent heading up for that, including yours truly, ahead of their hometown leg, which is staying at the Corner, and is on Saturday September 5, with the following:

Pink Reason (USA)
Goodnight Loving (USA)
James Arthur's Manhunt (USA)
Ooga Boogas
Naked On The Vague
Super Wild Horses
Slug Guts
The Disbelievers
The Native Cats
Dick Diver
The Twerps
Teen Archer
Repairs


There's the usual barbecues, records stalls, shenanigans and beer going on. Seriously, if you blow a chance to get to one of these- or both, maybe?- you are a damn fool.

Double dose of special.

Now, I don't do festivals. Actually, that should probably be "I don't do festivals well." I get bored. I get cranky. Crowds annoy me. I wanna go and sit down somewhere quiet after a few hours. But I'm making an effort this weekend, for Boogie 3.

Look at that line up- apparently ECSR and Tony Joe White are closing the first night. That was enough to sell me on going, actually.
Although considering it's limited to 500 people, and is within walking distance of the nearest town if I really really want to get away for a while, I think I'll stick at it.
If I do decide to bail, though, I'll head straight into town for this:
Gimme Shelter ends it’s residency at the Exford Hotel on Saturday 11th April. We’ll be taking a long overdue break, giving ourselves time to focus on other projects and priorities. Gimme Shelter might be back further down the line in some shape or form, but there is also the distinct possibility that this might just be it...
It'll be a shame to see it go. No word on what this means for the same crews' Primitive nights- I assume they're over, too. Still, bearing in mind what some of the "other projects" mentioned are, this may turn out to be a good thing overall.

AMPivalent.

The time is nearing for the announcement of this year's Australian Music Prize winner. And that's all there is apparently- an announcement, due to made on Friday. I haven't seen anything about any sort of actual ceremony.
While the short list looks interesting:
Apocalypso – The Presets
Beaches – Beaches
Havilah – The Drones
In Ghost Colours – Cut Copy
Jungle Blues – CW Stoneking
Love Is Gone – Jack Ladder
Presque Vu – Tom Cooney
Primary Colours – Eddy Current Suppression Ring
Sympathy For the New World – Ross McLennan
they still leave me cold for some reason. Is it the lack of anything other than cold hard cash as recognition? The rumours of big-name politics behind the scenes? Their continuing failure to make any meaningful impact in the mainstream? I'm not sure. The Drones seemed to have parlayed their 2005 win into something, though I think that's more down to them, really.
Whatever. I hope ECSR win, though I expect to be disappointed.

Better late than never.

Being the sensitive and caring kind of guy I am, I was thinking about International Women's Day this weekend just past, when I realised that the Melbourne music scene are celebrating a week late.
Yes, ladies, the most handsome men in town are playing for your pleasure this weekend.
On Friday 13th, at Ding Dong, Rowland S. Howard plays with the Stabs and Nathan Hollywood*

Rowland's band for this show includes J.P. Shilo on bass and Mick Harvey on drums. This is definitely worth a look. $12 on the door.
Then, on Saturday at the Espy, there's an Aarght! Records showcase of sorts, featuring New Orleans duo Quintron & Miss Pussycat, Eddy Current Suppression Ring and UV Race. I do not know why there is no poster art for this event- here's a picture of Quintron instead:

* nb- Hollywood is actually quite handsome, so I'm told.

Too much choice

Coming up on the midway point of this year, and things are looking as healthy as ever. We're spoilt for choice here on Friday night.
After work drinks are easy- at Off The Hip, being entertained by the Ransome Brothers and the Reactions. That's free, from about 5.30 onwards.

After that, it gets a bit tougher. Two highly regarded local bands, both of whom are playing in peak form at the moment, but on different bills. You've got Eddy Current Suppression Ring and friends at the Espy:

or Witch Hats at Roxanne, playing one last show before they head off to the States.

The Espy show is sold out, with only a few tickets available on the door, while Roxanne is a dive of a place, if that makes it any easier to choose. I know where I'll be- but I'm not saying.

Something new on Saturday- what I understand is the second outing for the Sweet Jelly Roll club night, at North Melbourne's Public Bar. As they say:

Sweet Jelly Roll is a monthly night of down and dirty dancing and drinking to the finest tunes from the 1930’s to the 1960’s. Featuring resident DJ’s Razor Totin’ Slim and Pearl Jackson playing rhythm & blues, surf, Vegas grind, latin rythms, doo-wop, rockabilly, gypsy swing and soul plus special guest bands and authentic burlesque performance.

That's a combination that will be hard to beat on a cold winter's night.

Constructing Fear and other entertainment

Aah, things are slowly getting back on an even keel round these parts.

On Friday afternoon I stopped by Missing Link Records to catch short in-store sets by the Stabs and the Straight Arrows. The Stabs played a good half hour or so of excellent all new material- they are heading out on tour soon, too. The Straight Arrows were running late, or had technical problems, or something, but managed a slamming twenty minutes of shit-hot garage punk.

On Saturday we got political. Well, a bit political anyway- Melbourne film maker Joe Loh has made a documentary about the recent changes to the law that oversee unions on building sites. Or, as the film's official site puts it: A documentary exposing the activity of an industrial inquisition targeting building workers across Australia. “Constructing Fear” shows how these workers are the front line in an attack on civil liberties that has implications for every Australian.
It was showing at ACMI, for only $10.00, and the ticket also got you into Cherry Bar later in the evening, for a show featuring Dynamo and Eddy Current Suppression Ring, who both contributed music to the soundtrack. The place was packed of course, with an odd mix of old school union types and the young ubercool. Both bands were fantastic. The song ECSR recorded for the documentary, "Devil's Demands", is available for free download from the site above, by the way, as is the film itself.

Anyway, I've got to get back to work on that Lethal Weapons feature mentioned below. Here's a bit of a taster- an eyewitness account by someone who was there at the time, and is still active in music today:

In the end it was a storm in a teacup. Suicide quickly dissolved, Mushroom retaining only the Teenage Radio Stars (who would later morph into The Models) and The Boys Next Door, who finished one album in which Mushroom were totally disinterested and were let loose to develop into The Birthday Party. All the bands moved on to the next stage of development and the scene flourished, particularly in Melbourne where it reached a kind of artistic peak from 1979 through to 1983.
Ironically the experience firmed our resolve about such issues and we proceeded to be staunchly independent for over 20 years, never again working with the Australian Music Industry.

You'll just have to wait to find out who that's from.

Need something to do?

Them Gingers are in the Espy Front Bar tonight (Friday 19th) supporting Sydney's Goons Of Doom.
Eddy Current Suppression Ring and a bunch of other bands are playing a benefit in Richmond from 3.00pm on Saturday- this place will be packed, I guarantee you.

If you can't get in, try The Tote which will probably be full too, as the Bakelite Age are launching their new 8-track EP (on Bang! Records, 12" vinyl will be for sale on the night) with supports including Gareth Lyddiard from the Drones playing solo. Or, as the Drones put it- "sex symbol gareth will be supporting sex symbols the bakelite age at the tote on saturday 20th of january. go there." Can't argue with that, really.