Return of the Grong.

How sweet it is to be able to post this:

Yes, they had to blow out the Missing Link in-store, and yes, the show has changed from the East to the Tote. Fingers crossed there will be no more cancellations or changes, and the rest of the tour will go ahead as planned.
Here's what someone said recently:
They were a beast of a band in many ways and were utterly unlike anything else I’ve ever seen. Personnel: Dave Taskas on bass, skinny as a stick with a plastic voodoo skull dangling from his tuning pegs. Up the back was George Klestinis, who looked like a 4/4 rockabilly cat but played a loping, skipping beat of the band's own invention. Stage right was Charlie Tolnay, hunched and sweating over a Fender Jaguar, with the air of a moonlighting bikie about him and always with a cigarette in his gob. And up front, Charlie’s step-brother Michael Farkas aka Grong. His usual look was a black op-shop suit and ski mask or vinyl fetish hood, topped off with either a Stetson or a top hat. The suit was often accessorised with slabs of steak gaffer taped to the lapels. He also wielded a battered sax at irregular intervals.
This is what you were faced with before they'd even played a note. Grong Grong may not have been virtuosos, but they could certainly play, and a recent creeping tendency to remember them as mere noisemongers completely misses the point. They had a sound that was completely their own. It was defined by that aforementioned lolloping beat, Charlie’s unique brittle guitar sound and the holy roaring horror of that voice that was laid over the top of it all. Live, there was a gut level impact to them that was unforgettable.
Their own songs were called things like ‘Japanese Train Driver’, ‘Club Grotesque’, ‘Louie The Fly’, ‘Hunka Chunka’ and ‘Meat Axe’, and they were always happy to throw in a few well-chosen covers as well: The Stooges' ‘Loose’, ‘Lookin' At You’ by the MC5, ‘The Hills Have Eyes’ by The Meteors and, famously, an extended jam on Flipper's ‘Sex Bomb’. My favorite quote about them is from Byron Coley in Forced Exposure magazine: “…all kindsa spectral rattles just float in the air, while all sortsa shit-hronk throbs underneath.”

Do not miss them.

Duh.

Goddammit, how did I forget about this?

I Won't Pay For Punk Records... and you won't either.. when true to form reunited Sydney punks The Thought Criminals, give one away free to each person attending their Melbourne show at The Tote on Saturday February 3rd. Written and recorded over 3 days, the Peace, Love and Under Surveillance 5 track coloured vinyl 7" EP (or CD, the choice is yours) features all new tracks that were previewed when the band recently supported The Buzzcocks. You excited? You should be, as The Thought Criminals will be joined by special guest TV Smith of ex '77 UK punk legends The Adverts. In addition, comedian Bruce Griffiths, founder of infamous Sydney punk label Abberant Records, will be kicking the night off.

A quiet weekend

My first dose of rock & roll came from a 7 year old kid doing a fantastic karaoke version of "It's A Long Way To The Top" at a primary school fete on Saturday afternoon.
I did catch a bit of Kim Volkman & the Whiskey Priests
at the Greyhound on Saturday night though. What I heard sounded fine, and Kim gave me a copy of his new CD, which is even better.
My life is a something of a train wreck at the moment, for reasons I won't go into, but if you think I'm being a bit lazy about posting here, well, check out the amount of new stuff that just gone up on the I-94 Bar. Those Box of Fish, Earaches, Chuck Norris Experiment & Hell Crab City CD reviews are all mine, with more to come this week.
And thanks to Wes, who emailed me to point out that Box of Fish were actually on the "Flowers In The Dustbin" compilation, not "Why March...?", and that both of these fine Aberrant releases were among those reissued on CD in 1996, on Small Axe Records. My stupid mistakes, as usual.