Too much choice

Coming up on the midway point of this year, and things are looking as healthy as ever. We're spoilt for choice here on Friday night.
After work drinks are easy- at Off The Hip, being entertained by the Ransome Brothers and the Reactions. That's free, from about 5.30 onwards.

After that, it gets a bit tougher. Two highly regarded local bands, both of whom are playing in peak form at the moment, but on different bills. You've got Eddy Current Suppression Ring and friends at the Espy:

or Witch Hats at Roxanne, playing one last show before they head off to the States.

The Espy show is sold out, with only a few tickets available on the door, while Roxanne is a dive of a place, if that makes it any easier to choose. I know where I'll be- but I'm not saying.

Something new on Saturday- what I understand is the second outing for the Sweet Jelly Roll club night, at North Melbourne's Public Bar. As they say:

Sweet Jelly Roll is a monthly night of down and dirty dancing and drinking to the finest tunes from the 1930’s to the 1960’s. Featuring resident DJ’s Razor Totin’ Slim and Pearl Jackson playing rhythm & blues, surf, Vegas grind, latin rythms, doo-wop, rockabilly, gypsy swing and soul plus special guest bands and authentic burlesque performance.

That's a combination that will be hard to beat on a cold winter's night.

From hibernation to observation.

Those of you who check in here regularly will have noticed this isn't a stream of consciousness blog, wherein I record everything from my morning cup of coffee to the noontime piss it engenders.
And for good reason- those kind of blogs bore me to tears.
I see and do too much to ever try and capture every blink and breath here- hey, I'm busy actually doing things. What you get here at the Tram are edited highlights- or lowlights - of that.
But recently I made a determined effort to capture some of the things that I do see and hear, over and above those I want to talk about, or that I get paid to report on. Here, then, is a notebook sketch of a 45 minute trip into town to see a show in the city last week:

• There are four or five teenage Asian Guido types in the local liquor store, arguing amongst themselves over who has what cash to buy a $40.00 bottle of Jagermeister. When I go to the counter, the Sikh bloke who runs the joint (and who knows me) winks and says he can't wait to ask them for ID.
• At the train station, two Maori girls with a slab of bourbon & coke ask me if I want a drink, but then one of them changes her mind- "Buy one, mate, buy one". I walk on, the train pulls in.
• In the city, I walk down Bourke Street, past an overtanned, overweight, overmoneyed but unhappy couple. Her- strapless, facelifted, him- red faced, wearing a blue blazer. Both are talking at about wine and taxis.
• There are a bunch of wannabe gangsters outside a notorious cafe a bit further down. No sign of any real trouble, though.
• When I cross the street, I find a couple of chunky-knit, chunky-jewellery type middle aged lesbians are having a hissy argument over the outside ashtrays, while a lost and lonely tourist family wander past, with the teenage girl whining about not getting to go to the Hard Rock Cafe.
• In a alleyway just off Chinatown, I see four men sitting at one table in a busy restaurant, deep in heavy conversation, while a huge bald guy sits by himself at a table set for five just next to them, watching every word. Bodyguard? Who can tell?
• Outside the Exford, a spotty backpacker holds an armful of (cheap, thin, greasy) takeaway pizza boxes like she's trapped them herself, while her buddies inside forget to buy beers and watch the rugby game playing in the back bar's huge plasma TVs instead.
• I turn around and see a huge ad for a strip joint pasted three stories high over the intersection.
• I buy some Pretz, (savoury cousin of the Pocky) from an Asian grocery, but then, 20 metres up the street, save a Chiko Roll from certain extinction in a dodgy bain-marie, and then head on through the drizzle.

And that, dear reader, was what I saw on the way, before my evening started.

Graphics free weekend

Well. No pics this week, for various reasons.
Joel Silbersher and HOSS are doing a bunch of shows in the next few weeks, starting tomorrow:

FRIDAY 20TH OF JUNE ESPY FRONTBAR, ST KILDA W/THE BLACKLIST, KILLER BIRDS.
SATURDAY 21ST OF JUNE THE TOTE, COLLINGWOOD W/THE BAKELITE AGE, FAMOUS CRIMES.
JOEL SOLO SHOW AT LABOUR HAS BEEN CANCELLED.
ALSO, SYDNEY WILL SEE HOSS GIGS FRIDAY 4TH OF JULY THE EXCELSIOR HOTEL, SURREY HILLS.W/POKER HEARTS, KILLER BIRDS.
SATURDAY 5TH JULY DIRTY SHIRLOW'S, 32 SHIRLOW ST, MARRICKVILLE.W/WHOPPING BIG NAUGHTY, HELLCRABCITY, KILLER BIRDS.

But I couldn't find a handbill for any of these. Still, I would love to go to that Marrickville one.

Also on Friday, Cabaret Nocturne is on at somewhere called La Di Da's in Little Bourke St. I was going to post the flyer for that, but the more I looked at it, the less I liked it. Check it out here and you'll see what I mean.

On Sunday, the Local in St. Kilda is holding it's first "Spectapular" beer festival, with 40 Australian microbrews on tap from 12.oo noon til 1.00am. $25 gets you 20 samples. There's a link to the (crappy .pdf) handbill here.

And that's your lot.

Witch Hats US tour dates

Nice poster.
But those dates are a little hard to read. Never mind, there's a full (very long) list here, as well as a request for help. Anyone got a spare stage, or (more importantly) a spare bed or five? Get in touch- they're pretty much house trained.

Hibernation

I have just spent a cold, quiet week pondering a few things.
The incredibly warming combination of roast pumpkin and tandoori spice, for instance, which is almost better than the traditional lamb and pearl barley.
And what would Mexico be like if it was run by communists instead of drug dealers?

I borrowed that pic from here, by the way.
Anyway, some shows on this weekend.
Tonight, Ninety Nine and friends are at the Old Bar:

No, it's nothing to do with that stupid new "Get Smart" movie.

And tomorrow night sees the first personal test of the new lockout legislation.
Can I make it from the Spencer P Jones & the Escape Committee/Johnny Casino & the Secrets show at Ding Dong, to Gimme Shelter at the Exford, before 2.00am?

I don't know, but I may give it a fucking good try. I mean, it's only a few hundred metres, and it's downhill. Wish me luck.

Shindiggers- "Maximum Beat"

Well, this was bound to come along one day.

51 tracks from this frantic mid '80's Melbourne combo, includes complete studio recordings plus lotsa rarities with most tracks appearing on CD for the first time. Comes with 16 page full colour booklet and liner notes from mainstay singer Bill Leggett. All tracks remastered from original source tapes.

I knew the Shindiggers knew 51 songs, at least, but didn't realise they'd recorded quite so much.
These guys were a mainstay in the Melbourne live scene of the early/mid 80s, playing a potent and trashy R & B/R & R blend, usually at a breakneck pace. If I saw them once, then I musta seen them 40 times- here's a setlist from back in the day:


The "Australian Milkshakes" tag doesn't do them justice, and neither did being lumped into the "psychobilly" camp with a bunch of their contemporaries. Their live shenanigans- which for a while included Bill being carried on stage in a coffin in homage to Screaming Lord Sutch, and occasional bouts of inter-band fisticuffs, were always entertaining.
Ahh, they don't make them like that any more. All credit to the crew at Off The Hip for cutting through the (still ongoing) feuds to get this out there.

Gaffstock 08

Yes, it's on again this weekend, featuring too many bands to list, over three days and nights:

This place is one of my favorite bars, and it seems to go from strength to strength. At $10 a session you'd be a fool not to drop in for a while at least.

Click to enlarge the (excellent) poster for full details

Why march when you can riot?

Well, there’s another music-based protest group in town. This time, it's a mob called Melbourne Locked Out , whose cause is the recent legislation which venues clubs from letting punters in after 2.00am, in a bid to stop the rampaging hordes of party heads who roam the streets from bar to strip joint to all nighter in a desperate frenzy of entertainment lust.
Seriously, though, I don’t think that people who move on from place to place are the root cause or the major cause of trouble. That goes back to our old friends, young men and alcohol, as well as the fact that the venue which gets you pissy drunk has no responsibility for your behavior once you walk out the door.
I myself rarely do the rounds- once I’m at a place I usually stay there til the bitter end. Though having said that, last Friday I went to the Double Agents gig at Cherry, caught part of Spencer Jones’ set at the Spanish Club, and ended the night watching Johnny Casino & the Secrets at Bar Open. All this was before 2.00am, though, so I guess it doesn’t count.
Anyway, you know the form- Friday afternoon, meet, march, yell, then go home. No, go to a club, til at least 4.00am. Good luck.

Janine Hall

My friend Janine died last week. While the circumstances are still a little cloudy, they’re not really important. What matters is that she’s gone.

Born in New Zealand, she was an enthusiastic and notable part of the Australian music scene. She was a member of Melbourne’s legendary Young Charlatans back in the early days, playing her bass alongside Rowland Howard (pre-Boys Next Door/Birthday Party) Ollie Olsen (pre-Whirlywirld/NO/Max Q) and Jeffrey Wegener (pre-Laughing Clowns). Janine later joined the Saints for two albums (“The Monkey Puzzle” and “Out In The Jungle”- yes, that’s her playing on “Always” and “Follow The Leader”) and plenty of live shows in the early 80s, before moving onto Mick Thomas’ Weddings Parties Anything. That’s some CV- and that’s only the edited highlights.
She trained and worked as an acupuncturist in recent years, and as a sceptic I was surprised by the difference a few treatments from her made to my tinnitus. And she never really let me pay her for them, either, preferring a few beers and a game or two of pool at the Tote to cash.
Her funeral is private, but there will be a wake held for friends at idGAFF on Thursday afternoon, 29 May, from 3.00 til 7.00pm. See you there.

Pic- Janine and co. on the back cover of "The Monkey Puzzle"

Update- this just came to my attention:
There will now be a funeral service for Janine Hall.
The service will be at Lonergan WG Raven at 187 Queens Parade Clifton Hill at 2pm sharp on Thursday May 29.
A wake will follow at IDGAFF 160 Hoddle St Abbotsford from 3pm.
All those who knew Janine are welcome.

Please pass on the info.

Four way action weekend

There's a lot going on.

On Friday, The Double Agents play a farewell show at Cherry before heading off on their second European tour.

The Double Agents are bidding farewell to their beloved Oz, as they head off on their second sojourn to Europe in early June. Taking a stellar new line-up, regulars Dave Butterworth, Kim Walvisch and Chris Loughtman will be joined by Callum John Barter(Ancient Free Gardeners) on the skins and Dave Larkin (yes, he of Dallas Crane infamy) on bass guitar. Playing their blistering brand of garage country swamp in one final Melbourne show before heading to France, Holland, Switzerland, Germany, Spain, Italy & Belgium, the tour will also celebrate the vinyl release of their last album “Seemed Like A Good Idea…” on prestigious French label Beast Records. Dave Larkin kicks off the evening with a solo slot before The Agents smack you across the face with a set (or two). ‘Tis an early show - done and dusted by 11:30pm. Expect their usual bar-rattlin’ shenanigans as well as a raffle of rare and unique Double Agents memorabilia to help raise touring funds.

See? It's an early show. So a bit later on Friday night, you can probably make it across town to see Sydney's Johnny Casino bring his Secrets to Bar Open in Fitzroy for a one-off freebie with the Shimmys and Midnight Woolf.

This is an opportunity that's impossible to pass up- did I mention it was free? Here's some YouTube of them doing "Cowboys And Indians" to whet your appetite, if you need it.
Then on Saturday, there's are two more excellent lineups. At Ding Dong:

Rowland's stick insect silhouette is a familiar enough sight around certain parts of town, but I haven't seen him play live for ages. And he's playing with Kes, too. I really shouldn't have to say any more- this is guaranteed to be intriguing, and entertaining.

BUT there's stiff competition from the Espy, where you can see Dave Graney & the Coral Snakes with the almighty Wagons, who are headlining if the relative sizes of the band names on the Espy's gig guide wall is anything to go by:

That's for free too, by the way. And no, I don't know who that bloke is.
Finally, on Sunday, there's an open day at St.Kilda police station in Chapel St., from 10.00 til 3.00, if you fancy it. All sorts of entertainment is planned- but I just want to see if my phone number is still scratched into the wall of womens' cell number three.

Underbelly

As one of the main players in Melbourne's gang wars heads home to jail, it's time to confess my part in the drama- I once lived in the same street as his sister-in-law. Yes, that ugly house that was put up (and lost) as bail surety was just up the road from me. I remember the day they had the fully-grown palm trees hoisted over the fence and planted next to the pool. In Coburg.
The TV series itself is excellent, though admitting you've watched it here in Victoria may lead to some interesting outcomes- possible prosecution for breaching a Supreme Court order, and certain exemption from jury service on any future trials being two options. It's certainly notable for being so Melbourne based- the story comes from and was completely filmed in Melbourne- yet avoiding any of the usual cliches. I've yet to see Luna Park or Flinders Street Station in the background, for instance, although both the Westgate and Bolte bridges feature a fair bit. "Neighbours" or "Secret Life Of Us" it isn't.

Nathan Hollywood

I've had this CD for a couple of weeks now, and it's very good indeed.
Dark, moody, country stuff, with an echoing sense of melancholy that is not specific to any place- it could be coming from the Mexican desert, the Australian outback or the Norwegian tundra.
Anyway, he's launching it tonight at the Northcote Social Club, with the Kill Devil Hills. Get there, if only to see someone play the saw on stage.

Production difficulties

Well, things got away from me earlier this week- here's a basic draft of the chatter that mattered. You'll figure it out, bright penny that you are.



Normal service will be resumed when I finish this bottle of red wine.

Cut Rate Masters

Well, them Cowboys did the business last night. Garry, Mark, Penny, Nick & Stefan pulled out all the stops. Here's the list:

Once again, I got grief from some ape-fucker idiot of a bouncer when I grabbed this, during "We Love You". Like, it's not as if the band need it at the end of the set- and anyway, there were three or four others dotted around the stage. This time round, Mr. Gray saved my bacon, by lurching off the stage, grabbing me in a bear hug and bellowing " Of course we do..." into my ear and the mike simultaneously. A dream end to a dream show.

Sacredsexstkilda

The Sacred Cowboys blow back into their spiritual home, St. Kilda for a one-off in the Greyhound back room, with support from the Exotics and the Frowning Clouds This is pretty much a must-see. If you never saw this band in their early 80s heyday you missed a real experience, some of which can be captured on their double CD “Nailed to the Cross”, just out on Savage Beat, with excellent liner notes.

Fans will be reunited with memories of their compelling combination of mesmerizing lyrics and swirling wall of sound guitars which saw them quickly become one of the hottest alternative bands on the scene back in the day, and a
major drawcard especially in hometown Melbourne and Sydney (where they found kindred spirits like The Scientists).
Something of a post-punk supergroup (with members drawn from the original line-up of Models and Suicide Records group The Negatives), The Sacred Cowboys gained instant notoriety when they appeared in '82, thanks to frontman Garry Gray's chainsaw wielding antics on stage. They played a wild, dangerous and completely unique brand of rockn'roll inspired by the artists whose material they covered, including SUICIDE, ALAN VEGA, CAPTAIN BEEFHEART, CRAMPS, VELVET UNDERGROUND, CREEDENCE CLEARWATER REVIVAL and ALEX CHILTON.
A reconstituted Sacred Cowboys line-up will be playing a showcase of special Victorian gigs during their Australian tour in April/May 2008. Featuring founding members GARRY GRAY and MARK FERRIE with PENNY IKINGER on guitar, and the band's second phase 'Trouble From Providence' rhythm section of NICK RISCHBIETH and STEPHAN FIDOCK.

More St. Kilda shenanigans tomorrow night- Elbow Room launch their stage version of seminal dirty book “Venus In Furs” at Theatreworks in Acland St.

Venus In Furs inspired the diagnosis of a whole new category of sexual perversion. Since the 1800s, masochism has largely shrugged off its unsavoury reputation, attaining a kind of underground ‘glamour’. Today it has well and truly been embraced by the mainstream, its ubiquity obvious in the burgeoning popularity of all forms of fetishistic entertainment, particularly the recent resurgence of burlesque. In revisiting the original text, Elbow Room brings to the stage the source of an entire genre of sexual gratification and entertainment in a timely reminder of the continuing influence of Sacher-Masoch’s novel.

My 1970 edition of this is illustrated:

But not in as saucy a manner as you may expect, and it is still as dull a read as ever, regardless. What can be done with it onstage remains to be seen.

Note- if I could have been bothered I’d have put a segue in between those two, about the Sacred Cowboys playing “Run Run Run” live or something. But I didn't. Sorry.

post-Hats hangover.

Well, I did indeed end up heading over to the Tote on Friday, and I'm glad I did, for many reasons.
Witch Hats were excellent, in top form. They played a great set, drawn mostly from their "Cellulite Soul" LP, and did it in front of a pretty full house, too. If they can keep this up for the length of their forthcoming US tour they'll storm the place. Set details below, for any obsessives out there.Look, they spell "potato" right on their set lists.
I also caught Beaches , a five piece instrumental band who are about an inch away from becoming the best live surf/garage/psych combo I've seen in a long long time, and Kes, too. I've had trouble with "getting" Kes in the past, both live and on CD, but this time round something gelled. I got a copy of the new album from the merch desk,and it's on pretty high rotation right now.
So, yes, all up it was worth a long late night.
And then I found something a bit special to do on Saturday, and won my Scrabble game on Sunday. You can't ask for much more than that on a cold Melbourne weekend, really.

Anzackery

So, it's Anzac Day here on Friday, with a public holiday and all.
I'm not an ex-soldier, and so I don't have an excuse to spend the day with a bunch of friends drinking beer and telling war stories- or do I?

On Thursday night, the Sacred Cowboys play at the Northcote Social Club, with the Green Mist and the Poker Hearts. I'll probably skip that one in favour of the Cowboys' show at the Greyhound on May 2nd, actually. As long as I get along to one of them.
On Friday itself:

Mistletone presents the first in what will become a seasonal happening - Autumn Tones at The Tote on ANZAC Day, Friday April 25th.
This inaugural ''Tones'' event will feature a bunch of our favourite Melbourne bands who we reckon will help create a cosmic autumnal evening of epic proportions.
The lineup for Autumn Tones will feature Witch Hats, Kes Band, Beaches, Embers, The Ancients, The Sun Blindness+ djs Shags and Switchblade Sisters Sound System
Doors 5:30pm til late. $15 with free bbq.

Mistletone is a great local label, and it's good to see they've booked bands from outside their own roster for this, too.
Saturday? Who knows? But on Sunday I believe I am booked to play my annual game of Scrabble- and it's competitive Scrabble, at that.

Hey! If you leave spam as comments, I'll ignore you!

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Cherry Rock not so cheerful

An update on this year's Cherry Rock festival hit mail boxes all over town last night:

URGENT MEDIA RELEASE

CherryRock008 moves to
Palace Theatre
(former Metro, 20 – 30 Bourke Street, Melb)

The CherryRock008 rock n roll music festival proposed for this Sunday 20 April from 12noon to 10pm in AC/DC Lane and at The Cherry Bar has had to change venue due to a liquor licensing issue. The event will now take place predominantly at The Palace Theatre (the former Metro, 20 – 30 Bourke Street Melbourne) and slightly at Ding Dong Lounge (18 Market Lane, Melbourne).

Cherry Partner James Young said, "blah blah blah".

The ten major acts from CherryRock008 (Supersuckers, Raveonettes, Hitmen, Galvatrons, X, 6 Ft Hick, Legends of Motor Sport, Hell City Glamours, The Exploders and The Devilrock Four) will now play at The Palace Theatre between 3pm and 10pm. And super keen rock fans can see the hot up and comers (Zombie Sex Gang, Bring On The Junta, Tigernauts and Killer Birds) beforehand at Ding Dong Lounge between 12noon and 3pm.

All purchased tickets remain valid for this new scenario and tickets will be available on the Palace Theatre door on the day for $70.

The liquor licensing issue in question is quite boring blah blah blah.

The important bit:

New CherryRock008 Stage Times

Ding Dong Stage

12 – 12.30pm Killer Birds
12.50 – 1.20pm Tigernauts
1.40 – 2.10pm Bring On The Junta
2.30 – 3pm Zombie Sex Gang

Not AC/DC Lane Stage: Palace Theatre

9 – 10pm Supersuckers
7:30 – 8:15pm Raveonettes
6 – 6.45pm Hitmen
4.45 – 5:30pm Galvatrons
3:30 – 4:15pm X

Not Cherry Bar Stage: Palace Theatre

8:15 – 9pm 6 Ft Hick
6.45 – 7.30pm Legends of Motor Sport
5.30 - 6pm Hell City Glamours
4:15 - 4.45pm The Exploders
3.00 – 3.30pm Devilrock Four

Hmmm, it appears someone can't organise a pissup in a Melbourne laneway- that's quite a feat. The re-jigged playing times seem OK, although the Bowerbirds have lost their slot completely. We'll see, I guess, but spending seven hours in the Palace is not going to be as pleasant a Sunday afternoon as I'd hoped for.

Sixfthick poppin' cherries

Brisbane's finest, SixFtHick, hit town this weekend, for two shows.
First up, at Ding Dong, on Friday 18th, with Ben Corbett's side project, Gentle Ben and His Sensitive Side supporting

Then on Sunday 20th. they'll be gracing the AC/DC Stage at Cherry Rock 008.

If you can't wait until Sunday to see the Supersuckers, they are playing at the East Brunswick Club on Saturday 19th, with Dynamo and Nici Blue Eyes. If you are really keen, why not take the kids along to the 'Suckers instore at Route 66 in Prahran on Saturday afternoon, and introduce them to the scarey men who sing "Born With A Tail"?
Not a lot of other sideshows confirmed for other acts, though. I thought the Hitmen might have jammed one in, but apparently not. And I didn't look too hard for any Galvatrons shows.

Last Tram Home now has a webcam

Yes, a recent upgrade means we have the means to post live streaming video and snapshots.
What am I wearing right now? Pretty much the usual.

Don't get too excited, pervert.

This weekend- three nights of action.

Well, there I was all quiet and shit last night, and a whole mess of stuff popped up on the radar for the weekend. Good thing I rested up.
On Friday night, Cold Harbour are giving you the chance to get your very own "wooo-hoo!" recorded for posterity, along with a few of their songs, at the Greyhound, where they'll be playing two sets for recording as a live album.


Then on Saturday, Gimme Shelter is running from 9.00 til late at the Exford

My idiot sheet says:
$3 entry 9pm-10pm
$6 entry 10pm - 2.30am
9 - very late

AND on Sunday, there's a kinda special event at the Tote. I can't add anything to this, really, except to say that I hope a lot of people go.

The Meanies, Headache, Budd, The Oxymorons, Cut Sick, Ricey & Macka (The Guttersnipes)
On Sunday March 12, The Tote will host a memorial for Dennis DePianto, best known to music fans as D.D. Meanie. D.D. was guitarist in The Meanies from 1988 until 1995. His relentless guitar style is stamped on many of the most well-known Meanies' classics, including Darkside, Paranoid, Ton of Bricks, 10% Weird, Mr. Authority, Big Bertha, etc. He was also the founding member of legendary band The Oxymorons. D.D. had muscular dystrophy from childhood but he refused to let it stop him from pursuing his dream to be a rock guitarist. D.D. passed away after a short but stubborn battle with cancer on Feb. 14, 2008.
The Meanies, Budd, Headache, The Oxymorons and Cut Sick play in honour of D.D, Sunday April 13. Proceeds will be donated to Muscular Dystrophy Australia.

Wednesday night- I got nothin' but an urge.

So, a quiet midweek at home. Tomorrow night I will be admiring expensive & beautiful glass at Kirra Galleries, in lieu of taking up a friend's kind offer to go and see Matchbox 20 for free.

But tonight, a bit of stimulating reading:

The cover is a bit battered, frontispiece is in better nick:

It's more interesting than you may think, though a bit turgid- GBS had not yet hit the form that won My Fair Lady eight Oscars. And no, there are no simple parallels/analogies to be drawn with today's artists, if you thought that was where I was going with this. That would be too easy.
This is the only book I own- and one of very few I have ever seen- that actually came from Melbourne's legendary Cole's Book Arcade, by the way:

Links

I've just updated the links section- culled a few dead ones, added some new ones.
The team at Across The Rooftops have gone a bit quiet lately, but there is plenty to keep you occupied until they catch up.
Andy Ramadge's Pop In Print is more regular- he has a keen eye and a good ear.
Tom Reynolds talks about cars and motorbikes a lot- that's his job- and he too has a very keen eye. Check out his take on the Princess Diana conspiracy theories. I've been for a couple of memorable drives with him.

I've also added some more unsolicited endorsements- those are always welcome.

Harem Scarem- reformation.

Well, as noted previously, these boys hit the boards again recently, in front of a packed house at the Corner. Many old friends and faces there, and a great set. I got punched in the head by an over-zealous security guy when I ripped this from the stage:

even though the encores were over.
It was a great set- Chris, Charlie & Barry seemed to be enjoying themselves hugely. Mark Ferrie played bass like the goddamn pro he always is. Personally, I woulda liked to have heard some harmonica in there, and considering "Dirty" Kurt Lindner was in the crowd, and willing to step up, I'm a little puzzled as to why there was none.
Whatever, here's hoping they do it again.

the Rezillos

I listen to a fair bit of what could broadly described as “old stuff”, and one thing I really like is old new wave pop- think Devo, XTC, the B52s…and Scotland’s finest, the Rezillos.
I’ve been listening to the extended CD of their debut album “Can’t Stand the Rezillos” a lot lately.

One of the earliest punk bands in town, they formed in Edinburgh in 1976, and drew from similar trashy inspirations as the Cramps, but with a very UK slant- it was all go-go skirts, Top Of The Pops, Thunderbirds (the TV show, not the car) and greasy Triumph biker boys.
Their covers ranged from the classic Merseybeat of the Dave Clark Five’s “I Like It” to the obscure (pseudonymous) Fleetwood Mac tune “Somebody’s Gonna Get Their Head Kicked In Tonight”, to the Sweet's “Ballroom Blitz”. Their own tunes- “No”, “(My Baby Does) Good Sculptures” and “Destination Venus” were fantastic- strange, short numbers with amazing energy and some great lyrics. Check out this, for instance, from “Destination Venus”:
Further modulation of the frequency rotation
Triggered waveband activation - near elation
Somewhere in the distance I could hear a voice one instance
Then it faded from existence - no persistence

What does it mean? Who knows, but this is what it looked and sounded like at the time

It's odd to think that guitarist Jo Callis, who wrote all the band's originals, went on to join the Human League and basically conquer the world with synth-pop a few years later. Oh well, enjoy.

The Negatives/the Reals- “Dumbworld”

I’ve been waiting for a release copy of this one for a while, having had some (minor) involvement with it earlier on, and now it’s finally available.
Subtitled “original punk rock from Melbourne, 1974-1978”, it’s basically a collection of home recordings featuring future Sacred Cowboy frontman Garry Gray alongside teenage chum & future Moodist Chris Walsh, in a couple of early outfits, the Negatives and the Reals. They rip through some bruising Stooges covers in between throwing out a few snarling fistfuls of their own teenage anthems. This is the real deal, kids- suburban punk rock being made & played before the term even existed. It also includes a version of the Negatives’ “Lethal Weapons” contribution, “Planet On The Prowl”, without the producer’s unhelpful tinkering/overdubs.
You need to bear in mind that this is not the usual collection of rarities, b-sides and unreleased studio recordings- indeed it would be too charitable to describe some of them as demos- and you may need to have specially tuned ears to appreciate the nature of this stuff. That said, I reckon they sound great. They catch some great early musical moments and provide another layer of insight into the early days of the Melbourne scene-there are a couple of sample tracks up here. "Dumbworld" is out on Savage Beat, through Shock, and is well worth getting hold of.

This weekend- New Christs and more

The New Christs are back in town, playing at the Espy on Saturday 5th April, just a few weeks after their Ding Dong show in late May. With Radio Birdman once again returning to indefinite retirement, this will be your last chance to catch Younger & Dickson live for a while- though European readers have a forthcoming New Christs tour to look forward to.
Supports include excellent locals Cold Harbour, who seem to be hitting the boards fairly regularly lately, and who I think have an album due out soon, as well as a stack of others including the Bower Birds and the Killerbirds. All this,and for free, too.
The post-development Espy is still an OK place to see bands, especially when they put on big line ups like this, otherwise it’s just a frustrating place to deal with the hordes of backpacker types who treat it as their local.

This (Easter) weekend

Apart from my usual annual Lindt binge, I think it'll be pretty quiet. There's that Witch Hats LP launch previously mentioned, and I may try to catch Wagons at Young & Jacksons on Sunday. They're playing for free, between 3.00pm & 6.00pm, if Henry and co. can figure out the dress requirements. I mean, they wouldn't want to show Chloe up.


















Next week, though, they will be starting their "Lightning Strikes Twice" tour. Tour dates in full:

Sun March 30: The Retreat, Melbourne

Wed April 2: Electric Light Hotel, Adelaide

Thu April 3: Edinburgh Castle, Adelaide

Fri April 4: The Pub, Bendigo

Sat April 5: National Hotel, Geelong

Wed April 9: Oxford Tavern, Wollongong

Thu April 10: Brass Monkey, Cronulla

Fri April 11: Woodport Inn, Erina

Sat April 12: Hopetoun Hotel, Sydney

Sun April 13: Great Northern Hotel, Byron Bay

Thu April 17: Shark Bar, Miami Tavern, Gold Coast

Fri April 18: Bon Amici's, Toowoomba

Sat April 19: Sol Bar, Coolum Beach, Sunshine Coast

Jay Reatard

Meant to mention this earlier, actually.
Local outfit Stained Circles brought Jay out for a tour, to coincide with their local release of his excellent "Blood Visions" LP.
I only got to one show, the Tote BBQ on the Monday, but it was well worth it.
The album runs through 15 tracks in 29 minutes- if anything, he played harder and faster live. There's a bit of YouTube from the Brisbane show here that'll give you an idea.
And there were excellent supports, including the slightly demented UV Race, and one of Digger & the Pussycats final shows before they leave for a (47 date) European tour.
Definitely an early contender for gig of the year.

BBQ update

My, my, if I'd got to the bottom of that bag of hickory chunks a bit quicker- like, by sometime in 1991- I could have been 55c better off. Oh well, no point crying over spilt marinade. Here's some recent pork:

And some more recent ribs- beef asado ribs:

Trimmed, with all the bones removed except one- this is what I threw away:

They then got marinated and rolled before cooking:

Sorry about the blur in that last shot, I was hungry, and couldn't be arsed taking another one.

Noise 1- MIBEM March 28th

MIBEM - that's the Melbourne International Biennale of Exploratory Music- kicks off on March 28th, running through to April 2nd 2008. They promise:

An expansive variety of contemporary music forms including improvisation, audio-visual works, composition, electronica, free jazz, noise rock and contemporary classical music. Curated by noted local artists/composers, Anthony Pateras and Robin Fox, the Biennale will bring over 50 international and Australian musicians from the cutting and far edges of contemporary music together for a series of inspired and boundary-expanding sonic explorations

I'm interested in the opening night show at the Tote ,which features
Y35.3, amongst others, and also the David Chesworth action - an installation- at the Toff in Town on 30th. March, too, but there is plenty going on.

Noise 2- Music Isn't Noise!

There's a new move to get recognition for inner-city venues, in a similar vein to the now-defunct Fair Go For Live Music initiative of a couple of years back.
At the moment all it really is is a website, and a Facebook group, and the whole thing is a bit Fitzroy-centred, but hey, if you go to see bands there (and I'll put my hand up to being an occasional visitor, particularly to the Old Bar) you may want to lend some support. If you don't want to, that's fine, but please hold your whining when your favorite venue gets closed by noise complaints. Just a thought.