Halloween and onwards

So I write this sitting in the deepening twilight, with a bag of chocolate frogs and some glow in the dark M & Ms at the ready, listening to Kopper's special Halloween Savage Kick podcast

but none of the neighbourhood kids seem keen.

Anyway, there is lots coming up.
Friday at the Espy sees the Lime Spiders headline a massive bill of local and interstate acts- the sort of bill you usually only see on New Year's Eve, and for only $15.00

On Saturday the Bakelite Age are launching their (excellent) new album, "Return Of The Magical Molerat" at the Tote.

While on Monday, Route 66 are holding Wolfcall 2007 over at the Central Club in Richmond


AND FINALLY on Tuesday (officially known as "Horse Day" here in Melbourne)Wagons are showing off their newie, "Curse Of Lightning", over at the Northcote Social Club.


phew!

Fish curves

I think this all perfectly clear, isn't it?

click to enlarge, if you must, pervert.
And while we're on the subject of lingerie, I am reminded that Spooky Records have just released "On The Rocks", the latest from Sixfthick. While they're over breaking things- sorry, on tour- in Europe, this makes an excellent substitute.

Get some.

Ed & the Drone Hats

Look, I know I go on about Witch Hats a bit, but trust me they deserve it. Last week's Tote show was excellent, as is their new single, "Before I Weigh", out now on In-Fidelity.
And you've got to hand it to a band who score a prestige support with the Drones for one big Melbourne date, at the Corner

and come up with their own poster:



My, Fiona Kitschin must be feeling flattered. Or should that be "flattened"?

Tomorrow (Friday) night sees a fairly special show by Ed Kuepper at the East Brunswick Club, as follows:

To celebrate the release of ‘Jean Lee and the Yellow Dog’, Ed Kuepper and the newly christened Kowalski Collective (Peter Oxley and Jeffrey Wegener), will take to the road for an extensive national tour. The EBC audience will be even more spoiled when the Collective extends to a seven piece with the addition of keyboard/cellist Jane Elliott and a three-piece horn section. Kuepper, of course, being no stranger to the use of brass having successfully experimented with the format for the Saints albums Eternally Yours and Prehistoric Sounds and using it as the centre-piece for his post-Saints outfit Laughing Clowns. And if that wasn't enough, at select shows, Ed Kuepper & The Kowalski Collective will play two sets each night. The first being a highlights package of past glories while the second set will see a run through of ‘Jean Lee and the Yellow Dog’ in its entirety.

I have a copy of "Jean Lee", and it is excellent. Details on this and more are here at the I94 Bar.

The weekend?

Hmmm, a bit undecided, me.
I have lots to do (again) including a review of a pair of Hitmen reissues that run to 89 tracks all up.

Can those Jimmy and the Boys reissues be far away now, I wonder? Please, yes, please, soon I hope.

I may try and get along to the Old Bar for a while at least.

Otherwise it'll probably just be the Primitive night at the Tote, as mentioned below.

Rock & roll insanity

Ever wondered just how crazy your fave rock & rollers were or are? Well, thanks to the good folk at Way of Life Literature’s Fundamental Baptist Information Service, you can refer to a handy list. For instance:

Pioneer rocker BILL HALEY’S records sold 60 million copies during his lifetime, but the money and fame did not save him from insanity. His return to Nashville in 1973 to film Just Rock and Roll Music was a fiasco. He was mean and violent toward his band, breaking furniture, and such things, and he “was run out of Nashville in disgrace” (John Swenson, Bill Haley: The Daddy of Rock and Roll, p. 148). On a European tour in 1979, reports came back that he assaulted fans and disrobed onstage. He became increasingly paranoid, depressed, and psychotic as the years passed. “Police would often find him wandering aimlessly after nightfall, lost on some remote country lane, delirious, incoherent, suffering from amnesia.” He moved into the garage, painted the windows black, and installed floodlights outside to ward off imagined enemies. Even to his own children he told wild tales about being in the Marines and being a deputy sheriff, though he had never done those things. Before his death he would visit restaurants and show the waitresses and various customers his driver’s license, telling them he was Bill Haley. “He died, out of his mind, in Harlingen, Texas, on February 9, 1981” (Nick Tosches, Unsung Heroes of Rock ‘n’ Roll, p. 108). He was 55 years old.

or this:

NINA NAGEN is a German rocker who sings “about God and flying saucers in an operatic punk howl.” She says that she saw her first witch sitting under the table when she was three years old. “At age 17 she had an ‘out of the body experience’ during an acid trip, at which time (she claims) that a representative of God named Micky ‘borrowed’ the body of the non-tripping friend taking care of her. Nina and God had a talk. Since that time, Hagen’s albums and life have been filled with her version of [the Deity]” (Creem, August 1984, p. 15, cited by Jacob Aranza, More Rock, Country & Backward Masking Unmasked, p. 87).

I particularly like the source cited in that Nina Hagen one. Full list is at that link above.

Gimme Primitive and stuff

This weekend sees the return of Gimme Shelter to the Exford, as well as a special birthday- hi Myles!

While the final Primitive for 2007 is on at the Tote next week, featuring Wollongong's the Unheard, Melbourne's favorite young punks Witch Hats, and a teenage combo from Geelong, the Frowning Clouds.
I may not make it, but I hear a rumour that the people behind Gimme Shelter and Primitive crew are planning to be back early next year, and hope to kick off with a bay boat cruise. Oh yeah.

In other news this week, it's been reported and confirmed that the freehold of the Tote has been sold for a sum in the region of $3.2 million. The current lease has two more years to run, so there should be no immediate changes.

I wrote a small piece on Gonerfest for the I94 Bar about a month back: it's here if you want a look- probably worth it for some of Rich Stanley's comments alone.
Well, the party is over but there is a bunch of live sound up, including all three Australian acts. Here's some ECSR , Digger & the Pussycats and Ooga Boogas tunes, and a taste of some of the shit hot US stuff that was on offer, like Greg Cartwright and the Final Solutions , who feature Jay Reatard in their number, as well as Jay solo.
Have a listen, go here for more.

Thanks to Jack Stands for all this, and to Eric for being such a nice fella.

My lethality is bigger than yours

Well.
A big day of kite flying and (dare I say it) deadline busting ace music journalism today.
Finally got the Lethal Weapons piece done and squared away, and managed to avoid a potentially nasty libel suit along the way too. You can read it here, at the I94 Bar , if you so wish. I hope you do, and I hope you buy the CD as well.
This weekend I have another massive job to wrap up, so will be keeping it a bit low key. I'm taking a chance- one fave, playing with a vague acquaintance and some other folks I've never seen.

Hand Hell are launching their new album, "Phonography" at the Tote, with support from Ninety Nine, the Stabs and the Holy Rose. Sounds good to me.
On Sunday, all things being equal I will be playing a rather drunken version of croquet. Pip pip!