Nothin' Grows In Melbourne

A recent find, the video for the Sacred Cowboys' debut single 'Nothing Grows In Texas', shared courtesy of Mr Garry Gray. I'll let him tell it:

Film clip by Rob Howard featuring: yours truly, Mark Ferrie, Terry Doolan, Johnny Crash and Andrew Picouleau. Thanks to Mark's daughter Ramona (the toddler) ... and the mystery tow truck driver who hauled the cowmobile (Terry's Falcon) ... out of the swamp... the Studebaker Hawk belonged to my brother, David....voila...(not in the clip but on keyboards: Ian Forrest).

Been a long time since I saw this. Filmed over in Mobiltown, which was, as you can see, basically just a railway station in a strange and desolate part of town. Just over the Westgate, by the refineries. There is still nothing much there.

No cow skulls were harmed during the making of this picture

A month off

So, I took a month off from this, and a few other things, for various reasons. But I'm back, and as of next week will have some shit hot new portable wi-fi tools to play with, so may end up posting even more.
Anyway- THIS:

Really, nights like this come along all too rarely. Get there if you can.
On Saturday, if you rug up warm you can probably trot up and down Johnson St. and catch some of this, too:

Cut Rate Masters

Well, them Cowboys did the business last night. Garry, Mark, Penny, Nick & Stefan pulled out all the stops. Here's the list:

Once again, I got grief from some ape-fucker idiot of a bouncer when I grabbed this, during "We Love You". Like, it's not as if the band need it at the end of the set- and anyway, there were three or four others dotted around the stage. This time round, Mr. Gray saved my bacon, by lurching off the stage, grabbing me in a bear hug and bellowing " Of course we do..." into my ear and the mike simultaneously. A dream end to a dream show.

Sacredsexstkilda

The Sacred Cowboys blow back into their spiritual home, St. Kilda for a one-off in the Greyhound back room, with support from the Exotics and the Frowning Clouds This is pretty much a must-see. If you never saw this band in their early 80s heyday you missed a real experience, some of which can be captured on their double CD “Nailed to the Cross”, just out on Savage Beat, with excellent liner notes.

Fans will be reunited with memories of their compelling combination of mesmerizing lyrics and swirling wall of sound guitars which saw them quickly become one of the hottest alternative bands on the scene back in the day, and a
major drawcard especially in hometown Melbourne and Sydney (where they found kindred spirits like The Scientists).
Something of a post-punk supergroup (with members drawn from the original line-up of Models and Suicide Records group The Negatives), The Sacred Cowboys gained instant notoriety when they appeared in '82, thanks to frontman Garry Gray's chainsaw wielding antics on stage. They played a wild, dangerous and completely unique brand of rockn'roll inspired by the artists whose material they covered, including SUICIDE, ALAN VEGA, CAPTAIN BEEFHEART, CRAMPS, VELVET UNDERGROUND, CREEDENCE CLEARWATER REVIVAL and ALEX CHILTON.
A reconstituted Sacred Cowboys line-up will be playing a showcase of special Victorian gigs during their Australian tour in April/May 2008. Featuring founding members GARRY GRAY and MARK FERRIE with PENNY IKINGER on guitar, and the band's second phase 'Trouble From Providence' rhythm section of NICK RISCHBIETH and STEPHAN FIDOCK.

More St. Kilda shenanigans tomorrow night- Elbow Room launch their stage version of seminal dirty book “Venus In Furs” at Theatreworks in Acland St.

Venus In Furs inspired the diagnosis of a whole new category of sexual perversion. Since the 1800s, masochism has largely shrugged off its unsavoury reputation, attaining a kind of underground ‘glamour’. Today it has well and truly been embraced by the mainstream, its ubiquity obvious in the burgeoning popularity of all forms of fetishistic entertainment, particularly the recent resurgence of burlesque. In revisiting the original text, Elbow Room brings to the stage the source of an entire genre of sexual gratification and entertainment in a timely reminder of the continuing influence of Sacher-Masoch’s novel.

My 1970 edition of this is illustrated:

But not in as saucy a manner as you may expect, and it is still as dull a read as ever, regardless. What can be done with it onstage remains to be seen.

Note- if I could have been bothered I’d have put a segue in between those two, about the Sacred Cowboys playing “Run Run Run” live or something. But I didn't. Sorry.

Anzackery

So, it's Anzac Day here on Friday, with a public holiday and all.
I'm not an ex-soldier, and so I don't have an excuse to spend the day with a bunch of friends drinking beer and telling war stories- or do I?

On Thursday night, the Sacred Cowboys play at the Northcote Social Club, with the Green Mist and the Poker Hearts. I'll probably skip that one in favour of the Cowboys' show at the Greyhound on May 2nd, actually. As long as I get along to one of them.
On Friday itself:

Mistletone presents the first in what will become a seasonal happening - Autumn Tones at The Tote on ANZAC Day, Friday April 25th.
This inaugural ''Tones'' event will feature a bunch of our favourite Melbourne bands who we reckon will help create a cosmic autumnal evening of epic proportions.
The lineup for Autumn Tones will feature Witch Hats, Kes Band, Beaches, Embers, The Ancients, The Sun Blindness+ djs Shags and Switchblade Sisters Sound System
Doors 5:30pm til late. $15 with free bbq.

Mistletone is a great local label, and it's good to see they've booked bands from outside their own roster for this, too.
Saturday? Who knows? But on Sunday I believe I am booked to play my annual game of Scrabble- and it's competitive Scrabble, at that.

The Negatives/the Reals- “Dumbworld”

I’ve been waiting for a release copy of this one for a while, having had some (minor) involvement with it earlier on, and now it’s finally available.
Subtitled “original punk rock from Melbourne, 1974-1978”, it’s basically a collection of home recordings featuring future Sacred Cowboy frontman Garry Gray alongside teenage chum & future Moodist Chris Walsh, in a couple of early outfits, the Negatives and the Reals. They rip through some bruising Stooges covers in between throwing out a few snarling fistfuls of their own teenage anthems. This is the real deal, kids- suburban punk rock being made & played before the term even existed. It also includes a version of the Negatives’ “Lethal Weapons” contribution, “Planet On The Prowl”, without the producer’s unhelpful tinkering/overdubs.
You need to bear in mind that this is not the usual collection of rarities, b-sides and unreleased studio recordings- indeed it would be too charitable to describe some of them as demos- and you may need to have specially tuned ears to appreciate the nature of this stuff. That said, I reckon they sound great. They catch some great early musical moments and provide another layer of insight into the early days of the Melbourne scene-there are a couple of sample tracks up here. "Dumbworld" is out on Savage Beat, through Shock, and is well worth getting hold of.

More time out.

Well, it appears I now have bronchitis to go with the tinnitus. So, I'll be spending all day tomorrow on the sofa trying to catch up on some live and CD reviews for the I94 Bar (apologies to the Sacred Cowboys, Cold Harbour, X, the Killer Birds, the Kamikaze Trio and many others for the delay) and trying not to smoke too much, before fullfilling my annual obligations to the shareholders of Lindt and Cadbury.

I guess this means I'll miss the Scientists show at the Espy on Sunday...fuck.


Hopefully I can get caught up and back on my feet for the Double Agents album launch at the Spanish Club on the 20th.
Thanks to Patrick Emery for the use of his Scientists piece

new Sacred Cowboys LP- "Cold Harvest"

Due any day now...I recently got a rundown from Garry Gray, which reads in part:

Cold Harvest: 2007
Garry Gray (vocals, backing vocals, lyrics), Spencer P Jones (guitar, backing vocals), Penny Ikinger (guitars, backing vocals), Terry Doolan (guitars, organ, backing vocals), Mark Ferrie (bass), Nick Rischbieth (bass), Stephan Fidock (drums).

“'Cold Harvest' with all guitars blasting out of a crumbling sun… I got this narrative … urban uprising driven by dysfunctional dreamers…powerless onlookers. I always wanted us to do this as a guitar album…. The 'Sacred Cowboys' are back shooting horses”, says Gray and adds, “It's about time. The world is at high noon and there aint nothin’ better to do.”

I always loved "Trouble From Providence", still do in fact, and that screed of verbiage has sure whetted my appetite for this.